I meet a lot of people nowadays who “don’t listen to hip hop anymore.” Why? Presumably because it’s wack and it’s lost all meaning and beauty and even the holiness it once had. To me, that’s bullshit. Hip hop has its problems right now, but I’m sick of hearing them analyzed by purely mainstream connoisseurs. I don’t care if you listened to Tupac. If we’re being honest with each other, Tupac was mainstram! So was Biggie! Same with Mobb Deep…and Nas! It’s great that you loved them, but they were popular at one time. They all made a lot of party tracks, got a lot of radio/club play. All of them were signed to a record label at some point. Let’s face it: you liked the mainstream then and you’re tired of the mainstream now. But if the mainstream is wack today and doesn’t compare to the mainstream of the past, well, in my opinion, the underground scene today kind of picks up the slack. With technology being what it is (though I can’t say I love it in all its forms), it’s somewhat easier for underground cats to come up with good quality music and distribute it without requiring big bucks. Yes, it’s not an amazingly lucrative market, but there are still those dedicated artists out there that are finding ways to make fresh new music and make it accessible internationally without starving by the side of the road. Even if they don’t ever earn multi-millions, they’re still getting a chance to do what they love and get us to love what they do. It’s unfair to just talk about hip hop like it’s all about the dollar. There are so many different dimensions to hip hop. Not all of it is Nikki Minaj and Drake and old gangsta rappers making unsuccessful comebacks. There’s still substance and beauty and, yes, even holiness out there if you look hard enough for it. But you have to think beyond recommended tracks on iTunes.
One example of a producer who’s bringing originality and creativity back into the genre is Mr. Green. You can see what I mean if you check out this series called Live From Streets, where he collects samples from ordinary yet extraordinary people going about their lives, and turns them into something new and amazing:
Sick, right?
Then there are the Snowgoons. They’re making some truly epic beats. I lost track of them after Black Snow, but I’ve heard things recently from Trojan Horse (which isn’t even their newest project) and I’m loving it. I have to catch up on ‘em ASAP. There’s, like, five albums after that that I need to get my hands on. [Side Note: What have I been doing for the last 3 years???]
And because hip hop isn’t hip hop without rhymes, let me just say that Immortal Technique is doing big things for the underground scene right now. Same with Jedi Mind Tricks. I heard a few collaborations between Pacewon (Pace Won? Every site spells it different :S) and Mr. Green that I love. Sabac Red is on another level. Recently got introduced to Revolution of the Mind and I’m really feeling him. OuterSpace has a place in my life as well. Listening to Saigon’s new shit. Hasan Salaam is making some good music. I mean, the list can go on, but you get my drift. There are still artists out there who care about the music they’re putting out. They’re selling their tunes harder than they’re selling themselves. Honest. You just gotta look for ‘em. That’s all.
If, of course, you just pay attention to what’s in at any given moment and this whole “hip hop is wack now” attitude is just an excuse to climb onto Adele’s bandwagon, go ahead, jump ship. Hip hop doesn’t need you to stay afloat.